assemblage: working in layers

Assemblage

Working in layers

An essential factor of working with found objects (or scrap material) is to let their varying nature introduce different layers upon the composition. This effect is based upon the different origin, shape, structure and function of the elements: wood, metal, glass, stone, plastic, etc. As a consequence, each element bears a different weight and transparency, that will influence the composition. Each structure also has a different affinity to secondary layers such as glue and paint, which needs to be addressed physically.

On top of this, steered by the artist, the position of the elements will profoundly affect the nature and complexity of the artwork composed.

Thus, for one art-work, I will start by choosing a firm undergound like a multiplex wooden panel, and build upon this smaller or larger elements fixed with glue or screw. Other elements will be introduced, sometimes just tiny threads that float above the underground.

In a next artwork, thin wooden sticks will be connected and used as support for complex bodies (wood, metal) that may get cover of a wired mesh. At juxtaposition – at the same level or above -, pieces of glass may be placed. The latter, if put under (sun)light, will present yet another dimension by reflection of parts of the environment. As such, this environment adds to the multi-facetted dimensions in the complete composition.

In some works, structural layers may be appreciated as emotional layers. Doubt about one-self, about the outside world, may lead to introduction – often late in the assembly – of tiny details that question the impression arising at first glance. In the end, it is the eyes of the spectator, with his / her experience of life, that lead to the ultimate image and understanding.

One and the same art-work, can lead to completely different seeings and 'immotions', varying between spectators and between artist and spectator.

(artwork depicted: Kaleidokopus)